Drifting
I started this creation with my team in January 2019, eight months before the premier of this 25-minute work. It never stops growing from...
Archiving bodies｜Metro Arts Residency｜2019｜Brisbane
The process of learning how do I position myself in a creative process with other collaborators in the room. I've been thinking a lot...
it will come later｜Sweden tour｜2019
On the train back to Gothenburg from Stockholm. 3 Shows in Sweden done, one more to go. It is after three months we met again in the...
Krakow｜iCoDaCo 2018｜Poland residency & premier｜it will come later
it will come later. 過程中講的是transformation，但同時也是在實驗所謂的集體創作的可能，所以最後的作品既從個人的想像出發，亦以個人的方式離開。 將至。 真實的力量、抗衡與拉扯。 My sense of time is completely...
Uddevalla｜iCoDaCo 2018｜Sweden residency
How do we want the work to be? How do we see ourselves, our bodies in the work, in the space? How do we imagine the space and light would...
The World Was Once Flat｜Hong Kong Premier in Tai Kwun
以數字作隱喻，窺探世界中共同語言的可能，你我之間溝通與觀看，各自的世界是從中誕生成形。 Number as metaphor to reconstruct the possibility of common language in the world; the...
Precious and Anxious｜iCoDaCo 2018｜Wales residency
It was definitely a precious and anxious project for me, at least for the first week of residency in Wales with the collective. The way...
phototropism 02
不加鎖舞踊館與法國勒拉佛爾諾曼第國立舞蹈中心開展了超過一年的研習和排練，與編舞家Emmanuelle Vo-dinh共同完成了去年對我們四位香港舞者而言一個非常重要的作品－－《西門說》。無論過程又或是作品都為我們帶來了完全不同的視點和藝術高度，即使是演出後過了一年，當中還是...
BODY WORK －－回溯身體記憶 10/4/2018
這是我在參與的其中一項計劃－－為期四個月的駐場，於 流白之間 Blank Space Studio 和三位不同界別的藝術家進行實力和探索，期望在不同的藝術媒介當中反照到自身的盲點。在走到第三年的路上，不能說是迷失，但我知道要更把所謂劇場和舞蹈推得更遠，我們就不能原地踏步。...
phototropism 01
The story starts like this. //In 1880, Charles Darwin and his son Francis published a paper in which they described the bending of grass...
